The search for Cesárea, a #reading of “The Savage Detectives”, Roberto Bolaño

Roberto bolaño.jpg
Roberto Bolaño” by FarisoriOwn work. Licensed under CC BY-SA 3.0 via Commons.

From the Golden Fleece to The Two Towers, from the Holy Grail to Heart of Darkness, great works of world’s literature are often stories of quests. So goes for Roberto Bolaño‘s masterpiece, The Savage Detectives, which follows two young poets, Arturo Belano and Ulises Lima, in their odyssey in search for the mythical Cesárea Tinajero, great priestess of the “Visceral Realists”.

We follow them, often under the bemused eyes of Juan García Madero, seventeen when he joins the visceral realists (no initiation ceremony), from the streets of Mexico City to the Sonora desert, via Chile, Nicaragua, California, Barcelona, Rome, Angola, Sierra Leone, and other places in history, meeting biblical whores, murderous pimps, corrupt policemen, incorruptible generals, and, of course, lost poets.

This is a story of poets, fugitives, witnesses… perhaps apostles? Its roots are in the horror and miracles of a continent, steeped in literature and death.

“Bolaño,” writes his translator, Natasha Wimmer, “took seriously the idea of literary immortality – never more than when he turned it into a joke. Failed writers are frequent characters in his stories and novels; so are lost writers, whose legacy must be preserved. In ‘Photographs’, the only published story in which Arturo Belano reappears, he comes upon a kind of illustrated encyclopaedia of forgotten French poets from the 1960s and ’70s. As he looks at their pictures and reads their biographies, remote and irrelevant now, he sees a line of birds on the horizon, ‘an electrocardiogram that flutters or spreads its wings in expectation of their death, thinks Belano, and then he shuts his eyes for a long moment, as if he’s thinking of crying with his eye closed.'”

Geography is equally important for Bolaño, who describes meetings, encounters, love affairs and murders with a careful labelling of time and place: “Rafael Barrios, in the bathroom of his house, Jackson Street, San Diego, California, September 1982.”

I went on to read “Distant Star”, and hope to read “2666” soon. An important writer, a genial novel.

#FiveSentenceFiction: Secure

Mexico CityI was in gangland, a terrifying quagmire of narrow streets, pretend beggars, and sinister characters lurking at every corner.

The bag I was carrying had enough dope in it to get me killed, and I was scared, more so than at any time in my miserable life of pusher.

They appeared from nowhere, three big thugs with hand guns: I was done, and as I was about to hand over my bag, expecting my end was nigh, I saw them.

They were two of them, in T-shirts and shorts, in any other circumstances I would have said: a sexy pair, but the submachine guns they carried were for real.

“Hands up everyone, nice and calm!” the girls said, adding unnecessarily: “Policia Federales” – I sighed, feeling secure at last.