Fallen leaves

photography of trees near river during fall

Photo by Alexandra Shchelkunova on Pexels.com

This year it may have arrived late, but now, it is here. The time of the year when shadows play tricks, shallow shapes appear, as if conjured up by a malicious genie, and then disappear, erased. This lovely vision may not be real, those blond hair, flying in the light wind, are not what they seem: as I got nearer, anxious to see the face, it’s nowhere, it’s just me, and some hidden gnome, invisible, yet present, and I think, laughing silently. The light is low, diffused, under the trees one does not recognise anything, cannot see through the light mist: I see you, but is it you? Or an ancient witch pretending to be you?

The waters of the canal reflect a deep green that doesn’t not come from the sky, but from an elsewhere, a deep, unfathomable to us, humans. We lost the skill to see this light, but was it ever a skill, or rather, a right? Gold and brown, grey and a colour which is undefined, a wavelength our eyes don’t capture. Dark knights ride in the clouds, bearing runes that may signal our end, our dismissal from what is, still, paradise. I feel small, in a world that, for now, and the next few months, no longer smiles at me. Those ghosts are not my friends, they merely remind me that life is short.

And Winter is coming.

Copper #writephoto

Thursday photo prompt

copper

 

It is not so far, where we met for the first time, when we were incredibly young, and so ignorant.

Not so far in distance from here, but in time, we dare not say. We know, much have changed around us, everywhere.

Except us.

Wiser we are, and so much stronger.

We’ve lost tracks of all those years, for we live for the present: ghosts we might be, but the happy sort,

as we have each other, for evermore.

 

Is there still such a thing as a good (Vampire) story?

IMG_0755

I wrote this post as a quick flash response to #writephoto, and then thought I could build a bit more on the story. But this genre, pace Interview, has been flogged so many times that I have my doubts. Nonetheless the follow-up is here, but one word of warning: some adult content! At this point I am not sure how far I can go with this. Part of the inspiration is indeed in the streets of Berlin, and in the forests of Brandenburg, not so far from this city. As for the characters, let’s say that any resemblance to living persons etc…

Picture: Seestraße at dusk (©2019 Honoré Dupuis)

 

Murmur #writephoto

Thursday photo prompt

murmuration

 

“They are swarming, soon they will fly away toward those trees…” I said, “And disappear beyond those clouds…” you replied. It was the end of the long day, we would soon pack for the night, fold the tent, get ready for the hunt. Soon we would need to feed, even if soberly. Your green eyes turned to me. I could see the signs on your skin. I drew the sharp blade, it glittered in the dying light.

We heard an owl. The starlings had disappeared, as you predicted. “I am thirsty.” You said.  A small cut would suffice. As you enlaced me, your arms around my neck,  I saw the red of your beloved lips, felt the despair in your embrace. I held you tight, and as you drank, became as one with the monster in you.

Reaching #writephoto

Thursday photo prompt

twilight

 

“So we are back”, you said in a tone of voice void of emotions. But I knew better: “back” meant we had failed, together, to adapt to a different life, to create the new, to be reborn. Yet this was our home, the naked ground where we belonged. Even the barren trees were part of us, a befitting reminder of the winter of our souls.

“We’ll find a ruin somewhere, do it up, settle down…” I added, hopeful.

“I love those clouds, and then I am here, still, with you!” You replied with a smile, “I thought we should never regret a failure, the important thing, was to have tried.”

“I knew you would understand,” I said, fixing you, as you were reaching for my hand, “Together we are strong, as strong as ever.”

Destination #writephoto

Thursday photo prompt

foggy-morning-019

 

You are now so close: and you know I am waiting.

The certainty to find me, at the end of this road, your destination.

You know, all that time I have been waiting, since the day, that day, when you left.

Many pages I wrote since then. Many books I read. Many cities I travelled to.

Many others I met.

Yet I too was certain: one day you would walk this tree-lined road, to find me.

Alas, much I have changed, as I know you have.

All these years, away, without each other.

And now, the end of the road, our destination.

Clarity #writephoto

Thursday photo prompt

clarity

 

Once we walked along this shore, through these dunes, you and I, hand in hand, when the world was young.

Now, our children stand tall and strong, and they and their mates look just like us, as we were.

So you see, dear love, despite all the mistakes, sometime the doubts, we saw through our future with much clarity, as the waves told us we would, once, there, along this shore, long ago.

Castle #writephoto

Thursday photo prompt

castle

 

This is your place, your home, far away, inaccessible. The lake is deep, a secret within many secrets. History has passed this castle by, and you, live on. In those dark waters, perhaps, lies a clue. But I will never know.

I cannot see you, except in one of those winter dreams. Silent, how can I be sure you notice me? You watch out, across those clouds, beyond our world, beyond eternity. Only now, only now I have lost you, do I understand who you are.

You, my love, in the castle.

Forgotten #writephoto

Thursday photo prompt

forgotten

 

No, we haven’t forgotten: through this gate we walked, you and I, when the wall was new, the grass so green, and the sky so clear. We believed, the future was a wide alley, bordered with roses, your hand in mine, our eyes to the horizon.

Then came the clouds, and the blizzard, metal locusts. I held the shield high, and you were safe. That haven would not be taken. But outside, down in the valley, beyond the wall, the hordes of demons attacked, days after days. We could no longer breath, they scorched the earth, killed everything. The companions and I retreated, and stood by the gate.

There we died, one by one, till the sea of Evil receded. The last one who stood tall, alive, you know. He’s your Lord now, a Saint, in shining armour.

I, haunt these woods, remembering the day, when we crossed the gate.

Between absence and presence

A reading of Killing Commendatore by Haruki Murakami

Jean_Siméon_Chardin_-_Draughtsman_-_WGA04754

 

This is Mr Murakami’s latest work, published in Japan in 2017, and translated by Philip Gabriel and Ted Goossen (I guess: a tour de force). First of all, I must say that, in my view, this is Mr Murakami’s most accomplished work thus far, a fascinating, troubling and at time challenging novel. To be sure, long haul readers will find there a familiar atmosphere, but also the unknown. I will not spoil anything, but mention some ideas and metaphors.

There is a young artist, a portrait painter, and his beautiful, estranged wife. There is a, now dead, beloved little sister. There is  a lone timber house, high up in the mountains, which belongs to a famous old painter. There is an owl in the attic. Across the valley, there is a big, strange house, with a stranger owner.

The young artist teaches drawing at a local school. He lives on his own, in the timber house, with the owl in the attic, visits the attic, walks in the woods. Behind a little shrine he discovers a pit, the pit in the woods. There is the start of the quest, with a surprising painting, and a bell.

There is Vienna, at the time of the Anschluss, there is the war in China, but this is the past, with deep consequences for the present. The old painter is famous for his classical formal Japanese paintings, but this one painting…

The novel oscillates between dream and an even more unfathomable reality. There is a lovely, pubescent young girl, her beautiful aunt, and two portraits, or is it three?

Once started this, as with all of Mr Murakami’s work, the book becomes desperately addictive: one dreads the prospect of finishing the book.

Yet the quest has to be completed, through sacrifice and ordeal.

I must add a warning: if readers wish to cross the river, between absence and presence, they must pay the ferryman. So, have your penguin ready!

That’s about the size of it.

Image: der Zeichner (the young draughtsman) by Jean-Baptiste Siméon Chardin (Gemäldegalerie, Berlin)