Away from this stage,
is another test –
another round,
where force plays no role,
but the changing face,
the soft verses,
of an everlasting poem…
Photo: Jardins du Luxembourg, Paris, ©2013 Honoré Dupuis
The triangle #fivewords
Francis wanted to capture the dream: for the third night, he had read the name of a place he had known, and, now, wanted to build into the story. There were three, at equal distance from each other, the monk had said. The last day, his stare fixed on some old manuscript he had dug out from the loot of a raid, years back, he’d looked for clues. In the morning, like today, he could not recall the names. Long ago, he had travelled, feverish, and briefly lived there, at the vortices of the triangle, carried away by the rage to discover the truth.
Where he was now, near the small park, in the city he loved, was one of those places, he was certain of it. He tried to lift his arm, and discovered he was almost unable to move: he would have to go back to his therapist. He had to work, look again at the archives.
In the park, he had met the shadow of an old monk, one night. That was before the first dream. The monk had spoken in an old, forgotten, language, and Francis had only understood a few words. Where were the other two places?
Picture source: Monastery Garments
Without reasons…
He must’ve known those people, sometime, some year, in the distant past. But whose past? The voices sounded far away, in a language he thought he should remember, the faces in semi darkness, when he knew that – somewhere – it was already daylight (but he could not be completely sure).
At last he looked out, from the vanishing dream. There was sunlight. He was alone, the voices had gone, the faces vanished. Everything was there, as it had been the day before. He had just slept longer than was his due.
Earlier, he realised, he’d been out, in the street, in the fog. There was a group of people, talking. It was in the past. Whose past?
Photography: Brassaï (1899-1984), Avenue de l’Observatoire dans le brouillard, c. 1934, courtesy Christie’s Modern Visions
Crow #writephoto
We have known each other for a long time. In the garden of the small house, some distance from here, she used to perch in the old tree, just in the corner, and was able to follow my progress in the morning, making coffee, in the kitchen. Often the Crow and I looked at each other, appreciating each other’s company, and the morning peace.
When we moved here she gave me a recommendation for her jackdaw cousins (large birds with streaks of white on their bellies), who inhabit this neighbourhood, and, to tell the truth, most of the city’s parks and streets.
I think she has a beneficial influence on us, and I have concluded she’s in fact a guardian angel. Her speech is always to the point, sober, if not melodious. I trust her judgement, and whenever she’s unhappy, so am I.
In the little garden we had hilarious moments, for example when she, and her sisters, kept a watch on the local heron… For she’s a good fighter, she looks after her partner and family, and don’t bother her neighbours.
I wish all humans were like her.
Photo: the Crow and the Heron © Honoré Dupuis, 2012
Territory #WritersWednesday
This was her city, she’s lived here all her life, and even before she became the angel she now is, she knew the streets, the people who haunted them, and the sort she could meet, the day people, and the night creatures. She was a little of both, and even now, if you could see her, it might be in the glory of dawn, or in deep darkness, in those hours when the ghosts of the city roam the deserted parks, the tree-lined alleys and the silent museums.
She’s here on her territory, she knows the history, she knows the truths, the myths, the real faces behind the masks. She can read the stories the old houses tell, the dreams of the humans who live there. She can hear distant voices, she recognises them. She can read ancient books, she can read what is engraved on stones, hidden from view, forgotten, in abandoned buildings no-one ever visits.
She’s here for a reason: she’s the angel of Death, and close to her the Devil never comes.
Image: “Angel statue in a destroyed city“
Original tales
“If such things creep quietly and unnoticed into our work, then perhaps that is not plagiarism but homage.”
I was writing late last night and, on re-reading what I had written became aware of an odd juxtaposition of certain words. They took me straight back to a book where a particular passage had left its mark. There was no thought of copying; no intent to re-use or appropriate the work of another writer, and what I had noticed was no more than three words long. Perhaps it was the context rather than the phrase that had been the reminder. Even so, it got me thinking.
With all the words that have been written by the human hand over the millennia, are there any that have been left unsaid? Can we ever write without plagiarising, consciously or unconsciously the work of another who has gone before? I remember reading once that Shakespeare had summarised every human emotion in his work. That is open to debate, of course, and the…
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Infinite #WinterThoughts
Only propositions have sense; only in the nexus of a proposition does a name have meaning.
~ Ludwig Wittgenstein, Tractatus Logico-Philosophicus (1921), 3.3
We live surrounded by symbols. In this city, where you and I dream, love, walk and invent new causes to believe, infinity lives through their immortality.
The ghosts have names, some secrets, as yet unrevealed. They have left for us so many traces of their own dreams: Viktoria Hill, the Iron Cross, the Blue Angel, abandoned airfields, hideous ruins, and for each one we can discover them, silent, ever so present, braving the flow of time, as ice covering the Spree.
The lakes are now frozen, the air carries the scents of wood and coal fires, perhaps the lingering sounds of ancient wars. So, you and I, my love, we walk with the Dead, from time to time, listening to their calm voices, evoking infinity.
Picture: The season of fallen leaves. © 2017 Irina Urumova
Conundrum #DailyPost #WritersWednesday
When is a logical proposition a conundrum?
Well, is there such a thing as the writer’s conundrum? That would be, perhaps, a logical proposition as to the role of writers, their responsibility, their freedom. Isn’t it the case that, for example, a writer whose inspiration is drawn from the society of her time, somehow owes that society something in return: her novel, her contribution to the common welfare, maybe the denunciation of evil?
So, how about this writer’s conundrum:
His inspiration came from the characters he created, but, once created, the characters didn’t let him develop the story: they wanted to tell their own…
Image: Jeanne Mammen, Jüngling, c.1943-45
Culture #DailyPost
Write a new post in response to today’s one-word prompt.
It’s all that we have learnt, and forgotten. It’s all that we remember, suddenly, as we walk through the woods, and see the castle, across the lake, which reminds us of beauty and the beast, of treasure island, of snow-white and her friends the dwarves… It’s all that may reappear, in our dreams, in the soft ripples of desires and memories. It may even be about a lost ring?
We follow the lane, our steps made silent by the thick cover of dead leaves. We cannot be sure who lived here, did they write symphonies, or wrote novels? Or did they study the dark heart of time? Were they wizards, or evil magicians? Did they come from the underworld, or from an island, far away, across an immense ocean? Are they still alive?
Behind those trees, we see the old school, the coal fire burning, the ancient wooden floor. It is what will remain when we are ready to embark, on our last voyage…
Photo: Schloß Dammsmühle, Brandenburg, © 2016 Honoré Dupuis
