History

Stillness #writephoto

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Thursday photo prompt

 

weymouth-028

 

“… No, we can’t detect any sign of human or humanoid life anywhere… There is plenty of life in the water, on land too, mammals and birds… plenty of beautiful insects…”

“What about buildings, traces of recent organised activities?”

“There are ruins, covered with vegetation, some remnants of railroads… We have scanned what looks like bombed-out urban complexes, mostly under water, on what might have been the coast line, before the floods…”

“Can you confirm the telemetry: any trace of emissions, radioactivity?”

“All confirmed. Radioactivity is stronger around the old nuke power stations, mostly flooded, but weakening. As our satellites showed, there is no radio emission. Some structures look like ancient observatories, on remote mountains. All dead.”

“Okay, it looks as if there is nothing for us to do here. Just complete the scans, and then come back when you are done. The orders are to continue to explore the remaining planets in the system. Just in case some of them have escaped there…”

 

Between absence and presence

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A reading of Killing Commendatore by Haruki Murakami

Jean_Siméon_Chardin_-_Draughtsman_-_WGA04754

 

This is Mr Murakami’s latest work, published in Japan in 2017, and translated by Philip Gabriel and Ted Goossen (I guess: a tour de force). First of all, I must say that, in my view, this is Mr Murakami’s most accomplished work thus far, a fascinating, troubling and at time challenging novel. To be sure, long haul readers will find there a familiar atmosphere, but also the unknown. I will not spoil anything, but mention some ideas and metaphors.

There is a young artist, a portrait painter, and his beautiful, estranged wife. There is a, now dead, beloved little sister. There is  a lone timber house, high up in the mountains, which belongs to a famous old painter. There is an owl in the attic. Across the valley, there is a big, strange house, with a stranger owner.

The young artist teaches drawing at a local school. He lives on his own, in the timber house, with the owl in the attic, visits the attic, walks in the woods. Behind a little shrine he discovers a pit, the pit in the woods. There is the start of the quest, with a surprising painting, and a bell.

There is Vienna, at the time of the Anschluss, there is the war in China, but this is the past, with deep consequences for the present. The old painter is famous for his classical formal Japanese paintings, but this one painting…

The novel oscillates between dream and an even more unfathomable reality. There is a lovely, pubescent young girl, her beautiful aunt, and two portraits, or is it three?

Once started this, as with all of Mr Murakami’s work, the book becomes desperately addictive: one dreads the prospect of finishing the book.

Yet the quest has to be completed, through sacrifice and ordeal.

I must add a warning: if readers wish to cross the river, between absence and presence, they must pay the ferryman. So, have your penguin ready!

That’s about the size of it.

Image: der Zeichner (the young draughtsman) by Jean-Baptiste Siméon Chardin (Gemäldegalerie, Berlin)

Depleted #3TC

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Three Things Challenge: PL19

m1a1-wiki_c45-0-705-385_s885x516

 

uranium moss dancer

It was getting late. Slowly the officer laid the photo on the table. “Do you recognise what those are?” she asked me with a smile.

On the stage the one dancer started circling the pole. I looked down, and knew. “Hardened tank shells, probably depleted uranium. Fallujah?” I asked. She smiled again, “a little further West I suggest.”

“There is a say…” I replied: “Rolling stones don’t gather moss.”

“Thought not” she replied.

Image source: M1 Abrams battle tank, Wikimedia

Honour #writephoto

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Honour

knight

 

The small crypt was still in darkness  as we approached, on that frozen morning of January.  Every year, on the same day, we gather here, on this desolate hill.

As usual, we were silent, as all of us know the place, the rite, the reasons. Besides, had we anything to say we would have done it, without words.

This year, we noticed the trace. Footsteps, in the fresh snow. Our horses noticed also the scent. The scent of a woman. We are rarely surprised by anything. But we were… intrigued.

We dismounted and followed the small path. A crow, perhaps too young to know, or remember, took fright and disappeared in the deep forest.

Our leader gave the sign. In our minds the words of the litany formed:

“I must not fear. Fear is the mind-killer…”

Our leader pushed the door open. In ranked order we entered the crypt.

“Fear is the little death…”

As we knelt on the ancient slabs, around our lord and liege, we saw the rose, and the message.

“And when it has gone past me, I will turn to see fear’s path…”

She was here, not that long before us.

The witch, she remembered. Her scent…

“Where the fear has gone there will be nothing…”

Our leader stood up, then we followed him, and drew our swords.

We let our blades rest on the stone, a faint ray of light illuminated the rose.

Our leader bowed. We left the crypt, one by one, leaving him alone with his brother.

Outside, we, wraith knights, waited.

The snow fell.

We prayed.

Every year, on the same day, we gather here, on this desolate hill, since our lord passed away, and we brought his body here, all the way back from the Holy Land.

“Only I will remain.” 

 

 

In the Pale Light of Winter #fivewords

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Weekly Writing Prompt #175

rypgos

charcoal, shade, pale, wake, lucid

The rain fell, almost silent, but she could hear the little stream, outside, through the open window. She called the instant the lucid wake: those minutes before the first signs of the pale dawn. Then, everything is clear, the events of the past days in sharp relief, as if lit from inside. His smile, the fire on the beach, the shade under the pine trees, the smell of charcoal. But this wasn’t yesterday, it was years ago, her already distant past. And then it had been Summer…

Then the wine had tasted better, the air cleaner, the waves softer. His skin was like the sun itself. Where was he now? The lucid wake: she was alone, all fires long dead.

She could hear the little stream. Winter would end, another Spring would come.

 

Image source: https://wallpapersafari.com/winter-beach-scenes-wallpaper/

Spectral #writephoto

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Spectral

spectral

 

The old mill stands still, in the frozen landscape; there, they worked, had fun, sometime loved. Now, there is only emptiness, silent stones, pale ghosts recounting long forgotten stories. All round lived once a multitude, poor but hopeful. Children were born, iron was cast, dreams were woven. Why they all left, what was their fate, did they lose faith? We dare not ask the ravens, and shall never know.

Beginnings #writephoto

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Beginnings

dawn

 

He knew where they had met, but he was less certain of when that was. He remembered the small town, and the woods, above all the woods, where they walked, kissed, watched the sun rise, the freezing dawns, enlaced, forever at one, with each other, and with the trees.

She was the one, and those were their beginnings. They watched the sun set, the skies on fire. Her grey eyes reflected the light. He had felt so strong then. He was, so they called him. She watched him go, such a breakup in her heart…

Now, after all the death, the sand, the blood, he was back. Alone, at the end, a fallen hero.

 

In the Land of Ago

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A reading of 11.22.63 by Stephen King

3-front-quater-top-up-sunliner

 

How often do we think: “If only I could change this”, or, in whatever form, “if only I could have a second chance, go back, and do something different”? Going back, erasing, and changing the past is an old dream, the subject of countless tales and fiction works. Of course there is a second law of thermodynamics, to keep things simple, that says “no-can-do” – but still…

But imagine one could go back, reverse entropy, and travel back in time, would it be possible to change anything? Or, is the past resistant to change, obturate enough to stop, or at least oppose, a time-traveller interfering with what was, and, maybe, should be? And, even if the time traveller could change the past, what would be the cost? Perhaps more ominously: what would be the consequences?

Changing history is a special case. History, they say, is written by “the victors”, whoever they may be. It can also be rewritten, and this without, perhaps because of (not), going back to the past. There is the “official” version, and the “conspiracies”. A long-lasting, and still sinister, such story is that of the assassination of President Kennedy.

Jake Epping, not a crying man, is an English teacher at a high school in a small town in Maine. The year is 2011, and this is the end of term. Jake is, unique among his school colleagues, the customer of Al Templeton, the proud owner of the fat burgers diner. More than just a customer. He’s soon someone with whom Al is about to share a deadly secret. At the back of Al’s diner trailer is an anomaly: a fissure in time. Al has a mission, one he cannot complete, for he is dying of lung cancer. He wants Jake to take over, as he has identified Jake as someone who could, who will, bite at the bait. So Al teaches Jake, explains how this could work, and Jake listens. There is a first trial, then another. On the other side of the fissure it is Spring 1958, and America is young. Jake likes what he sees. He enjoys the fresh taste of root beer, the sweet air. Jake also has a personal objective: to prevent a domestic tragedy and help his friend Harry Dunning. The first leg of the story is there: the killing of Frank Dunning. Jake, armed with Al’s mission and notes, as well as dollars of the time, embarks on the journey.

Saving the Dunning family will take two attempts to get it “right”, or so Jake thinks. Then his personal odyssey will start , on the road to Dallas. For Al’s, now Jake’s, aim is to prevent the assassination of President John Kennedy, on November 22, 1963, nothing less. Jake has five years to adapt, plan, live, and, finally, execute Al’s mission.

Jake follows a route of nostalgia: an all-American Ford Sunliner, overnight stoppages in motels, drive-in cinemas, finally a small town, and an equally small school, in Texas. Later, much later, there will be Dallas and the horror. For a while it is (almost) paradise, his class, football, friends, a girl he falls in love with, America’s early 60’s: (almost) perfection.

Jake decides to stay, he won’t go back to 2011. But, in the end, he does. For fulfilling the mission has unpredictable consequences. When, on the threshold of his desperate return, Jake faces a dystopian 2011, he finally understand what Al had missed: that interfering with the strings of time has a price, and this is proportional to the change.

The novel concludes on a note of hope, an ending for which Stephen King credits his son, Joe Hill, at the end of the book.

11.22.63 is a great novel, to read, reread, and cherish. It is also a book to meditate on, seriously, listening carefully to the voice of its author.

Photo: Ford Sunliner 1958, via eclassicautos.com